Translating Oleksandr Averbuch’s poetry

Language, identity, translation strategies

https://doi.org/10.54013/kk824a11

Keywords: poetry translation, multilingualism, Ukrainian poetry, Ukrainian, Estonian, total translation

This article focuses on the translation of Oleksandr Averbuch’s poetry collection Жидівський король (2021) into Estonian, with the author of the article also serving as its translator. Particular attention is paid to the theoretical aspects of translating literary multilingualism and to a specific variety of Ukrainian used by Ostarbeiters which was developed by the poet himself. The starting point is Peeter Torop’s concept of total translation, according to which translation is not merely an interaction between two language systems but occurs at the level of the text and its cultural context. Accordingly, a translation must be considered in relation to other translations into the target language, translations from the same language, of the same author, and so on. It is essential to identify dominants, the sum of characteristics without which the text does not hold together. The author’s background is also taken into consideration (his shift to Ukrainian, Ukrainian-Jewish identity, interest in multilingualism and various accents, linguistic experimentation). A distinction must be made between the author’s multilingualism and multilingualism within the text; there are various ways of analyzing these. The article focuses on the functions of multilingualism in the text and on the maintenance of multilingualism in the Estonian translation, as well as on strategies for reproducing the Ostarbeiters’ variety in Estonian. It combines theoretical considerations with the translator’s reflections on her translation strategies.

Anna Verschik (b. 1968), PhD, Tallinn University, Professor of General Linguistics (Narva mnt 25, 10120 Tallinn), annave@tlu.ee

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